At the Pfizer Global Headquarters in New York City, I took over the technical ownership of a massive kinetic double-helix sculpture featuring 56 independently controllable, variable-speed motion modules and 112 color-changing end effectors. I spearheaded the mechanical remediation and engineering redesign of the sculpture’s core motion elements to ensure long-term operational viability. To eliminate structural fatigue and wear points, I audited the original architecture and my team meticulously executed a precision overhaul of the electromechanical components across 56 identical kinetic nodes.